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  1 Villa America: A Novel
Author: Klaussmann, Liza
 
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Class: Fiction
Age: Adult
Language: English
LC: PS3611.L
Print Run: 75000
ISBN-13: 9780316211369
LCCN: 2015935697
Imprint: Little, Brown and Company
Pub Date: 08/04/2015
Availability: Out of Stock Indefinitely
List: $26.00
  Hardcover
Physical Description: 426 pages ; 25 cm H 9.5", W 6.25", D 1.5", 1.45 lbs.
LC Series:
Brodart Sources: Brodart's Insight Catalog: Adult
Brodart's TOP Adult Titles
Bibliographies:
Awards: Booklist Starred Reviews
Kirkus Starred Reviews
Library Journal Starred Reviews
Starred Reviews: Booklist
Kirkus Reviews
Library Journal
TIPS Subjects: Historical Fiction
BISAC Subjects: FICTION / Historical / General
FICTION / Biographical
FICTION / Family Life / General
LC Subjects: Americans
Americans, France, Riviera, Fiction
Biographical fiction
Expatriate painters
Expatriate painters, France, Riviera, Fiction
Fiction
France, Riviera
Historical fiction
Murphy, Gerald,, 1888-1964
Murphy, Gerald,, 1888-1964, Fiction
Murphy, Sara
Murphy, Sara,, 1883-1975, Fiction
Nineteen twenties
Nineteen twenties, Fiction
Painters' spouses
Painters' spouses, United States, Fiction
Riviera (France), Fiction
United States
SEARS Subjects: Americans, Riviera (France), Fiction
Reading Programs:
 
Annotations
Brodart's TOP Adult Titles | 05/01/2015
An idyllic getaway plays host to caviar, champagne, and secrets as Sara and Gerald Murphy retreat to a special house on the French Rivera in the 1920's. 432pp., 75K, Auth res: North London
Starred Reviews:
Booklist | 07/01/2015
Gerald and Sara Murphy are best remembered as the inspiration for F. Scott Fitzgerald's novel Tender Is the Night. Klaussmann takes a biographically oriented approach to the well-off, alluringly unconventional expat couple and their charmed circle in this psychologically lush and gorgeously descriptive fictionalization. She instantly snares readers' sympathetic attention with poor-little-rich-boy scenes from Gerald's wretched youth, during which his artistic leanings are scorned as effeminate, though not by beautiful, strong, sensuous Sara. They marry, have three adored children, and find paradise on the French Riviera in their home, Villa America. Gerald paints while Sara reigns as a goddess of lavish pleasures, hosting the Fitzgeralds, the Hemingways, and the Picassos. Klaussmann's portrayals of these iconic figures are as fresh and stirring as a sea breeze, while one of her most compelling characters, Owen, a WWI hero and pilot who finally and truly liberates Gerald, is wholly imagined. As disruptive love, betrayal, and cruel fate slowly gain cyclonic force, Klaussmann brings to scintillating and searing life scenes as wildly diverse as a dust storm, trench warfare, the bliss of being airborne above the radiant French countryside, the brittle gaiety of Sara's galas, and forbidden sexual bliss. In literary accord with Paula McLain, Nancy Horan, and Susan Vreeland, Klaussmann presents an enrapturing historical novel about a loving marriage complicated by suppressed desire in a time of now-legendary creative ferment. Seaman, Donna. 432p. AMERICAN LIBRARY ASSOCIATION, c2015.
Kirkus Reviews | 06/01/2015
Another sensitive fictional portrait of a complicated marriage from the author of Tigers in Red Weather (2012). This time Klaussmann has real-life models: Gerald and Sara Murphy, whose 1920s golden years on the French Riviera inspired F. Scott Fitzgerald's Tender Is the Night. Her novel begins with Gerald's loveless childhood in 1890s Manhattan; a harrowing chapter about the loss of his adored dog lays the groundwork for his bond with Sara, first seen as a bored post-debutante in pre-World War I London. Their early love is touchingly depicted as shared desire for a life "entirely of our own creation," which is what they achieve at the eponymous Cap d'Antibes villa. Klaussmann makes good use of several fine biographies of the Murphys (cited in an author's note) to capture the magic of a privileged, bohemian existence dedicated to the pleasures of fine food and drink, friendship, and self-expression through the elegant, idiosyncratic clothes they wear and their beautiful home furnishings. She also draws on nonfictional references to Gerald's ambiguous sexuality to imagine a passionate affair with pilot Owen Chambers, an invented character. Down-to-earth Owen offers a reality check on the nonstop house parties with famous friends (Scott and Zelda, Ernest, Cole, and many more of the usual Lost Generation suspects): "The spectacle and the costumes...the endless conversations about ideas, and the misunderstandings. Could you live without that?" Owen asks. Probably not; Gerald remains devoted to Sara (who knows more than she will admit about him and Owen) and the world they've fashioned. Their son Patrick's struggle with tuberculosis brings an end to the halcyon days at Villa America. A welter of letters chronicling the Murphys' ordeal slightly blurs the novel's focus in later chapters but also testifies to the profound, enduring affection they prompted in all who knew them. A closing vignette poignantly revisits the couple in the heyday of their campaign to make life as beautiful as their dreams. Beautifully written and surprisingly fresh given the well-worn subject matter. 432pg. KIRKUS MEDIA LLC, c2015.
Library Journal | 08/07/2015
Klaussmann's sophomore outing (after Tigers in Red Weather) sets out to reimagine the world of the Lost Generation as they gather on the French Rivera at Villa America, the luxurious home of expats Gerald and Sara Murphy. Klaussmann wrote her MA thesis on Tender Is the Night, which F. Scott Fitzgerald based on the villa and the Murphys, and she has clearly done her research. John Dos Passos, Cole Porter, Ernest Hemingway, and their spouses come alive in this richly detailed tale of friendships, creative rivalry, romance, drunkenness, and tragedy. But she also incorporates fictional characters into the story line, such as Owen, an American aviator with whom Gerald falls in love. There are many letters included-some invented, some authentic, some a bit of both-and this, along with the combination of actual personalities and fictional but equally realized characters, is somewhat disconcerting to the reader. Verdict That aside, this is an engrossing read, sure to be popular with lovers of historical fiction who enjoyed Paula McLain's The Paris Wife. Klaussmann delves deeply into the Murphys, their complicated love for each other, their dreams, and the tragedies that befall their beloved children. [See Prepub Alert, 1/12/15.]-Elizabeth Safford, Boxford Town Lib., MA. 432p. LJ Xpress Online Review. LIBRARY JOURNAL, c2015.
Journal Reviews
Library Journal Prepub Alert | 01/12/2015
Former New York Times reporter Klaussmann delighted us with her 2012 debut, Tigers in Red Weather, about post-World War II marital crisis with classy, sun-streaked Martha's Vineyard as backdrop. Here she ambitiously chooses to retell the glorious French Riviera days of Sara and Gerald Murphy, those joie de vivre expats whom Fitzgerald immortalized in Tender Is the Night. Serious fun, and Klaussmann would seem to have the skill to pull it off; Tigers was an international best seller for which she won a British National Book Award and the Elle Grand Prix for Fiction, and she was named Amazon UK's Rising Star of the Year in 2012. With a 75,000-copy first printing. Barbara Hoffert. 336p. LJ Prepub Alert Online Review. LIBRARY JOURNAL, c2015.
Publishers Weekly | 06/29/2015
Klaussmann's second novel (after Tigers in Red Weather) chronicles a real-life couple whose titular villa was the nucleus of 1920s American social life. After an unconventional courtship that spans Gerald's service in World War I, upper-crust Americans Sara and Gerald Murphy make their home at Cap d'Antibes in the south of France, where Gerald pursues an art career and their frequent summer parties on the Riviera draw much attention. Though Cole Porter, Pablo Picasso, Ernest Hemingway, and the Fitzgeralds are guests, the Murphys' favorite is Owen Chambers, an attractive young cargo pilot from rural New England who becomes a fixture in Sara and Gerald's guest house and a close confidant of both Murphys, but especially Gerald, whose relationship with Owen throws his entire life into a tailspin. Propelled by the drama-filled foibles of nearly every prominent lost generation figure a history buff could wish for, Klaussmann's atmospheric prose contains a treasure trove of trivia for fans of the era. Though the central conflicts and emotions are relatively slow to emerge and seem a little buried under lavish descriptions of the Murphys' opulent digs, readers who are looking for a trip back in time will find this an ideal beach read. (Aug.). 432p. PUBLISHERS WEEKLY, c2015.
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